Merce Cunningham refered to the choeography of space. He talked about how architecture enables us to take on certain roles. For example; in an airport I become preoccupied with timeliness, and the poetics of greetings and good-bye’s.
This is the choreography of 2000’s computer vision, the poetics of that algorithm. I would like to think it points to the tribalization of that dance, that it describes not the utopia of parallel processing but the utopia of the prepared piano.